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Introduction
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Count Parks Orlok (パークス・オルロック
Through Vanitas and Noé's journey to save every curse-bearing Vampire they can, Count Orlok acts as the primary authority figure they have to answer to and one of their only contact points into Altus and the majority of Vampire society.
This article contains plot and/or ending details for The Case Study of Vanitas.
Read at your own risk.
Appearance[]
Parks Orlok is a heavy-set vampire with a broad wrinkled face, shadowed eyes, a thick mustache and pointed ears. He wears a monocle on his left eye, and has a series of thick and deep scars over it. Around his neck is a cravat, and he is never seen without wearing a suit.
Personality[]
Orlok is a stoic and serious vampire. Despite this exterior he does have a soft side, especially for vampires, giving Amelia a job when she becomes unemployed and homeless after going on a rampage as a cursebearer. Orlok, like his employees Nox and Manet, adores Murr.
Plot[]
Coming Soon!
Powers and Abilities[]
Coming Soon!
Relationships[]
Nox and Manet[]
Nox and Manet serve as Orlok's personal bodyguards, and as such he holds them to high standards. They often act as his method of seeing and hearing about the world outside, and Manet refers to them as "Count Orlok's eyes" upon following Vanitas and Noé from the Galerie Valentine to witness Thomas Berneux cured.
Murr[]
Count Orlok adores Murr and loves spending time with him. He keeps cat food and cat toys in his office in case Murr comes to visit.
Quotes[]
- “Oh my goodness. You’ve already finished your din-din, Murr, you cutie patootie. What a good kitty you are. Just look at you, rolling around. You’re so precious. ♡”[1]
Appearances[]
- Mémoire 2: Noé — In the City of Flowers (First Appearance)
- Mémoire 3: Jeanne — The Hellfire Witch (Mentioned only)
- Mémoire 4: Femme Fatale — Love (Mentioned only)
- Mémoire 5: Archiviste — Fangs That Reveal Blood
- Mémoire 6: Altus — Other World
- Mémoire 13: Glissando — Glissando
- Mémoire 14: Catacombes — Where the Dead Sleep (Mentioned only)
- Entracte: Chambre d'enfants — A Dream of the Sound of Rain (Mentioned only)
- Mémoire 18: Dos à Dos — The Shape of Salvation*
- Mémoire 38: Naenia — She Who Harbors Death (Part One)
- Mémoire 44: Mal d'Amour — The Incurable Illness (Part One)
- Entracte: Jours Bruyants — Tales of Lost Children (Mentioned only)
- Mémoire 55.5: Après la pluie — His Wish (Part Two) (Mentioned only)
- Mémoire 56: Faire un gâteau — Bittersweet (Mentioned only)
- Mémoire 60: Bonne journée — Sweets, Complaints, and Reconciliation (Mentioned only)
- Mémoire 61: Jeu de paume — Court Tennis (Part One)
- Mémoire 61.5: Jeu de paume — Court Tennis (Part Two)
- Mémoire 62: Bourdonnement — Wingbeats of Scattered Thought (Part One)
- Mémoire 62.5: Bourdonnement — Wingbeats of Scattered Thought (Part Two)*
- Mémoire 2: Noé -In the City of Flowers- (First Appearance)
- Mémoire 3: Archiviste -Fangs That Lay Bare Blood-
- Mémoire 8: Catacombes -Where Death Slumbers-
- Mémoire 17: Vengeance -Hands Upon a Nightmare-
- Mémoire 20: Mal d'amour -The Incurable Disease-
- Mémoire 24: Après la pluie -His Wish- (Mentioned only)
(*) - Denotes that the character did not appear physically, but as a part of another character's memories.
Trivia[]
- Count Parks Orlok is inspired by Count Orlok,[2] the central character of Friedrich Wilhelm Murnau's film which defined the horror genre of cinema, Nosferatu.[3]